Rumours are that things are afoot at Home Park.
Except that there appears to be an embargo in place on any news until tomorrow, so we'll have to wait.
Rumours are that things are afoot at Home Park.
Except that there appears to be an embargo in place on any news until tomorrow, so we'll have to wait.
So, as the Argyle pantomime continues to fail to come to a conclusion (some deal may or may not have been agreed with existing creditors covering the value of mortgages on the stadium or something), Saints continue to stutter towards a possible auto-promotion place in League One, the Braves split their first two games of the baseball season against the Nationals, nephew Matt prepares for a couple of years at some new Groovey school in Salisbury and Hannah continues to sleep twelve hours at night and generally be very nice to us during the day, and the cold season appears to begin to give way to the tornado season here in Indiana, it's time for a couple of updates.
Firstly on the sausage front, an interesting visit to Louisiana where some step-family-in-laws have a small butcher/grocery shop. In fact Denise, the sister of my wife's step-mum (following this?!), was sufficiently fascinated by my previously-blogged sausages that she had us bring some stuff down with us so we could make them with her in her shop. Not giving away the magic Upton's recipe, of course, but we did make a few for personal consumption using the commercial equipment (and by the way, may I say how pleasurable it was to not spend forty minutes trying to stuff sausagemeat into the top of a Kitchen Aid mixer attachment, but instead just load it in a real mincer and have it fly into the skins in no time at all) and Denise looked thoughtful as we twisted them before saying 'I bet I could sell those'. Just three packets of four were put together for sale, marked as 'Market Special' and placed in the meat section. Two were sold before we left the shop, with the third being sold later in the day. Feedback from the sales was positive - and this was a pretty mild Lincolnshire recipe without too much sage. So who knows, maybe there's a demand for fresh-made quality bangers down in Louisiana. If nothing else it was worth it to see Denise get so excited.
Later in the day I showed her the YouTube video Simon from Upton's made about making sausages. She watched it three times and we spent the rest of the evening trying to locate an industrial-size sausage stuffer as featured in the video.
Secondly, I promised a word on the 'Doctor Who Movie' starring Paul McGann as the Eighth Doctor, watched last week after many years, and very interesting in a few particular regards. Most interesting was watching it in light of the new series. At the time it came out it was so different to what we thought Dr Who was that it wasn't really the same thing. But now... it wasn't too far-fetched at all. No real fun aliens of course, and it was a bit Hollywood what with the motorbike chase and the Big Fight At The End and all that. Still, it wasn't completely out of place (aside from that whole The-Doctor-is-half-human thing that doesn't fit at all) and was worth watching.
Also interesting to see the different character of the eighth doctor too. In fact it was Gloria (who doesn't really do Doctor Who) pointed it out most clearly with her statement: "This Doctor is just ignorant. David Tennant was never ignorant, he always knew exactly what was going on." And maybe that was the problem. Not enough of a character for us, the audience, to get hold of. Was he a hero? Or a victim? Or were we supposed to root for him to get together with the female lead? I understand that they've developed his character with the various BBC audio stories he's done - and indeed is still doing - but still, that was the reason I think I couldn't really enjoy it. It was ok, and in light of the new series it was actually pretty good, but the story was weak and the Doctor's character was, well, missing for the most part.
Presumably there'll be some kind of 'Doctor reunion' thing in a couple of years time when the show turns fifty years old, and McGann and the rest will be wheeled out then, but... you know what? The more I think about it, the more I think Russell T. Davies missed a trick by not having McGann's doctor in there as a cameo in 'The End Of Time'. Think about it, that bit at the end of the first episode where Rassilon is chairing that meeting of the Time Lords and they discuss that 'The Doctor is still out there' and 'he still possesses The Moment' and all that stuff. They're talking about McGann's Doctor at that moment. If they'd have done some kind of magic-crystal-ball thing to see where he was, it's Paul McGann we'd have had to see. Minor cameo, fitting with in with the story, could have developed the character just slightly and seen what became of him. And I think they definitely missed a trick there.
But what do I know? I just make sausages.
We've had Netflix for a year or so now and still finding new things to see. Gloria is steadily working through the recent BBC version of Robin Hood and I've been ploughing through the back-catalogue of Doctor Who for quite some time.
It began around the time Hannah was born - I saw that along with all the 'new' Doctor Who (ie post-2005) there was a pretty decent selection of the 'classic' series represented there. And at 4am, after the re-runs of the Dukes of Hazzard have finished (which, by the way, is a whole other story: I don't recall it being quite so cartoonish, but it was) and there's nothing on TV but random shopping channels (and yet the baby continues to scream and head-butt her father), there's not much else to do but put on Netflix (on the Wii, by the way, which is a fine development) and see what's out there. Messrs Hartnell, Troughton, Pertwee, Baker (T), Davison, Baker (C) and McCoy were willing to oblige.
Began by watching a few I remembered - mainly early Davison outings (I realised the series I watched most intently was the first one after Davison took over when I was about six) - and these were pretty good. Then onto some very early ones - in fact, the first story, in which Hartnell takes two nosy schoolteachers back in time ten thousand years, which was really quite enjoyable.
Troughton next, and he was a bit rubbish in my opinion compared with the press he gets about being one of the better ones. The one where they go into the Void and Jamie gets replaced by another actor for an episode was very weak. 'Tomb of the Cybermen' - said to be a firm favourite of current doc Matt Smith - was confused and showed the Doctor more as a victim than anything else. 'The Krotons' gave a little room for hope (mainly because Zoe was in it and she was portrayed as more intelligent than Troughton's Doctor) but overall they were ok at best.
Pertwee came in with a bang - 'Spearhead From Space', his first story from 1970 (and the first in colour) took a while to get used to (they really did try to make Doctor Who into James Bond for a while, didn't they?) but overall was superb. UNIT over-feature of course, but the ones Netflix had for me to 'Watch Instantly' were a clear step forward from the Troughton disappointment for me. There's one I've yet to see - The Green Death (where Jo Grant leaves) but I've now seen the three or four others they have on Netflix and overall it's pretty good. Even 'The Three Doctors' was worth watching again (saw it on YouTube once) but sad to see Hartnell so ill by that point and looking to one side to read his cue cards all the time.
Then came Tom Baker, and the person at Netflix in charge of Doctor Who clearly prefers Tom to any of the others. Plenty to view (although Genesis of the Daleks is DVD-only so I've not ordered that one yet, having seen it a couple of times before) and obvious to see the highs and lows as the time progressed. The early ones with Harry and Sarah-Jane were pretty decent but allegedly the best era (with Leela) was disappointing. 'The Talons of Weng-Chiang' is viewed as being possibly the best Doctor Who story ever by a lot of reviewers but was ok at best - knocked spots off Troughton's stories but fell short of Pertwee's best - whereas 'The Horror of Fang Rock' (an attempt by perennial script-writing disappointment Terrence Dicks - seriously, did he ever write anything good - to get in on the 'horror'-genre Doctor Who stuff) was a slow-moving boring waste of time.
Netflix had (for a few months) the entire 1978 season - 'The Key To Time' - available for instant view, so Hannah's early mornings enabled me to watch those straight through in about a week. And in there lay the best ever as far as I'm concerned - 'The Pirate Planet' by Douglas Adams, a decent-paced imaginative (yet not confusing) story, with a few twists on the way and some superb humour, including K-9 as a hunting dog who eventually returns with the pirate captain's robot parrot impaled on his telescopic nose.
Goes downhill fast after 1980 came along and John Nathan-Turner took over the production. Baker's last season was disappointing - a shadow of the former Doctor - and despite some interesting early outings for Davison, it was downhill. 'The Caves of Androzani' - Robert Holmes' only story for Davison - was pretty strong (not as great as everyone makes out), mainly because it was so bleak and hopeless for the characters involved. And then Davison regenerated into Colin Baker and that was that. Sheesh, was that ever that.
Netflix had only one Colin Baker story for instant view - 'Vengeance on Varos' - which was unutterably awful. It was a one-dimensional story involving running around corridors and being periodically caught, with no subtext, subplot or anything else beginning with sub. It stank. Nicola Bryant's clothing appears to be the only reason the ratings didn't completely collapse. If Pertwee and Baker (T) proved anything, it's that to some extent you have to be able to *like* The Doctor. Colin Baker's Doctor was generally unlikeable in any manner at all.
Then finally we came to Sylvestor McCoy, who (as I think I've said before) had two pretty dreadful series before the final one picked up a good bit in terms of storylines. Indeed, some of the darkest, most interesting Doctor Who stories are from McCoy's last season. Two problems though: (1) it was on against Coronation Street on ITV on a Monday night and (2) - and this is the new one for me having the blessing of Netflix - the production values were still stuck in the 1960s. Not even the 1970s. It was so low-budget that the fascinating stories just get lost in the cheap sets and poor-quality explosives, and as a result it's not Drama any more. It's not Children's TV. It's not Horror (which, at its best, Doctor Who is). It's not Comedy. It was just disappointing, such a far cry from The Pirate Planet of 11 years previously.
And so it was cancelled by the BBC. And despite various attempts to resurrect it, nothing new came on the screen until 1996. And *that* was supposed to be the theme of this blog, but I just realised I bored you senseless with the preceding essay so I'll stop for now. 'Doctor Who - The Movie' is available on DVD from Netflix and last night I watched it, along with a couple of documentaries on the DVD Extras. And it was interesting, and for different reasons than I remember.
But more on that later... for now just know that if you have a new-born baby who wants to cry at night and head-butt you, Netflix can be your friend in so many ways.
Postscript: Nothing new on Plymouth Argyle as they limp onwards towards something. The creditors may this week end up in court over a fake valuation on Home Park that they did a while ago, but we'll see.